RE410

RE410

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11,900 บาท -1%
ผู้ผลิต:
รหัสสินค้า: RE410
สถานะสต๊อก: มีสินค้าในสต๊อก

คำอธิบายของผลิตภัณฑ์

 

KeyFeatures:
• Versatile Condenser Microphone, Ideal for
Both Vocals and Instruments
• Cardioid Polar Pattern with Excellent
Feedback Rejection and Acoustic Isolation
• Multistage Pop Filter Eliminates Breath Pop
Noises
• MemraflexTM Hardened Grille Screen
• Warm-GripTM Handle for More Comfortable
Feel
GeneralDescription:
The Electro-Voice® RE410 is a professional quality handheld
condenser microphone that was designed specifically
for vocalists, yet has the versatility, smooth response, and
dynamic range to make it outstanding for virtually any
application. The RE410 is the ideal vocal microphone for
anyone that appreciates the crisp high end and warm
proximity effect that can only come from a top performing
condenser microphone. The response of the RE410 is
tailored to provide just a slight amount of “air” in the 5 to
10kHz area, enhancing the sound without adding stridency.
The RE410 features a cardioid polar pattern that provides
great rear rejection and a smooth off-axis response that’s
perfect for performers who tend to “wander” around the mic.
Technical Specifications:
Generation Element: Self-Biased condenser
Frequency Response: 50 Hz to 20,000 Hz (see chart)
Polar Pattern: Cardioid (see chart)
Sensitivity, Open Circuit
Voltage, 1 kHz:
4.0mV/Pascal
Clipping Level (1% THD): gt;140 dB SPL
Self Noise: 26 dB SPL “A” weighted (0 dB=20
micropascals)
Dynamic Range: gt;114 dB
Signal-to-Noise Ratio: 68 dB (@ 94 dB SPL)
Output Impedance, 1 kHz: 250 ohms
Power Requirements: Phantom Supply Requirement: 24 to
48 VDC
Polarity: Positive pressure on diaphragm
produces positive voltage on pin 2
relative to pin 3
Dimensions: Length = 7.15 (182 mm)
Diameter = 2.0 (51 mm)
Shank = 1.0 (25 mm)
Accessories Furnished: Stand Adaptor (Black)
Soft Zippered Gig Bag
Net Weight: 9.2 oz. (260 grams)
RE410
Handheld Condenser
Microphone
ApplicationNotes:
The low frequency response of the RE410 microphone varies
with the distance from the sound source. Known as “proximity
effect,” maximum bass response is produced in “close-up”
use with the microphone 1/4 inch from the sound source.
Normal bass response is experienced with working distances
greater than 24 inches. Working close to the microphone will
produce a more robust sound. Close up positioning of the
microphone will also reduce the potential for feedback from
the sound reinforcement system. When close-talked, the
bass-boost provides an increase in overall microphone output
level. The mixer gain may be proportionately reduced,
resulting in a reduction of the system’s sensitivity to feedback
caused by sound entering the microphone from the
loudspeakers.
Frequency Response:
12000 Portland Avenue South, Burnsville, MN 55337
Phone:952/884-4051, Fax:952/884-0043
www.electrovoice.com
© Telex Communications, Inc. 5/2007
Part Number 38110-328 Rev E
U.S.A. and Canada only. For customer orders, contact Customer Service at:
800/392-3497 Fax: 800/955-6831
Europe, Africa, and Middle East only. For customer orders, contact Customer Service at:
+ 49 9421-706 0 Fax: + 49 9421-706 265
Other International locations. For customer orders, contact Customer Service at:
+ 1 952 884-4051 Fax: + 1 952 736-4212
For warranty repair or service information, contact the Service Repair department at:
800/553-5992 or 402/467-5321
For technical assistance, contact Technical Support at: 800/392-3497 or 952/736-4656
Specifications subject to change without notice.
Polar Response:
Microphone Use and Placement
Please note that micing techniques are a matter of personal preference. These are merely guidelines to assist in the placement of the
microphone to gain optimal performance.
Usage Optimal Placement
Vocals Zero to six inches from the windscreen, and on axis with the microphone.
Spoken Word Five to ten inches from the windscreen, and on axis with the microphone.
Dimension Drawing:
RE410 Part Number: 301548-000
Standard Placement amp; Use Guidelines
1. Always point the microphone at the desired source of sound, and away from any unwanted sources.
2.The microphone should be located close to the sound source to minimize interference from other potential sound sources.
3. Use the 3-to-1 rule when using multiple microphones. Place each microphone three times farther from other microphones as from the
desired sound source.
4. Minimize over-handling of the microphone to reduce unwanted mechanical noise.
5.Working close to the microphone will increase the bass tone and also provide increased gain-before-feedback.

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